ck up at Vittoria and Langdon. "Let
me do it. I will go into the square right now and find a way. I will tell them. I don't know how . . . but I
will find a way. The church's confession should come from within. Our failures should be our own to
expose."
Mortati turned sadly back toward the altar. "Carlo, you have brought this church to a disastrous juncture."
He paused, looking around. The altar was bare.
There was a rustle of cloth down the side aisle, and the door clicked shut.
The camerlegno was gone.
134
C amerlegno Ventresca's white robe billowed as he moved down the hallway away from the Sistine
Chapel. The Swiss Guards had seemed perplexed when he emerged all alone from the chapel and told
them he needed a moment of solitude. But they had obeyed, letting him go.
Now as he rounded the corner and left their sight, the camerlegno felt a maelstrom of emotions like
nothing he thought possible in human experience. He had poisoned the man he called "Holy Father," the
man who addressed him as "my son." The camerlegno had always believed the words "father" and "son"
were religious tradition, but now he knew the diabolical truth-the words had been literal.
Like that fateful night weeks ago, the camerlegno now felt himself reeling madly through the darkness.
It was raining the morning the Vatican staff banged on the camerlegno's door, awakening him from a
fitful sleep. The Pope, they said, was not answering his door or his phone. The clergy were frightened.
The camerlegno was the only one who could enter the Pope's chambers unannounced.
The camerlegno entered alone to find the Pope, as he was the night before, twisted and dead in his bed.
His Holiness's face looked like that of Satan. His tongue black like death. The Devil himself had been
sleeping in the Pope's bed.
The camerlegno felt no remorse. God had spoken.
Nobody would see the treachery . . . not yet. That would come later.
He announced the terrible news-His Holiness was dead of a stroke. Then the camerlegno prepared for
conclave.
Mother Maria's voice was whispering in his ear. "Never break a promise to God."
"I hear you, Mother," he replied. "It is a faithless world. They need to be brought back to the path of
righteousness. Horror and Hope. It is the only way."
"Yes," she said. "If not you . . . then who? Who will lead the church out of darkness?"
Certainly not one of the preferiti. They were old . . . walking death . . . liberals who would follow the
Pope, endorsing science in his memory, seeking modern followers by abandoning the ancient ways. Old
men desperately behind the times, pathetically pretending they were not. They would fail, of course. The
church's strength was its tradition, not its transience. The whole world was transitory. The church did not
need to change, it simply needed to remind the world it was relevant! Evil lives! God will overcome!
The church needed a leader. Old men do not inspire! Jesus inspired! Young, vibrant, powerful . . .
MIRACULOUS.
"Enjoy your tea," the camerlegno told the four preferiti, leaving them in the Pope's private library before
conclave. "Your guide will be here soon."
The preferiti thanked him, all abuzz that they had been offered a chance to enter the famed Passetto. Most
uncommon! The camerlegno, before leaving them, had unlocked the door to the Passetto, and exactly on
schedule, the door had opened, and a foreign-looking priest with a torch had ushered the excited preferiti
in.
The men had never come out.
They will be the Horror. I will be the Hope.
No . . . I am the horror.
The camerlegno staggered now through the darkness of St. Peter's Basilica. Somehow, through the
insanity and guilt, through the images of his father, through the pain and revelation, even through the pull
of the morphine . . . he had found a brilliant clarity. A sense of destiny. I know my purpose, he thought,
awed by the lucidity of it.
From the beginning, nothing tonight had gone exactly as he had planned. Unforeseen obstacles had
presented themselves, but the camerlegno had adapted, making bold adjustments. Still, he had never
imagined tonight would end this way, and yet now he saw the preordained majesty of it.
It could end no other way.
Oh, what terror he had felt in the Sistine Chapel, wondering if God had forsaken him! Oh, what deeds He
had ordained! He had fallen to his knees, awash with doubt, his ears straining for the voice of God but
hearing only silence. He had begged for a sign. Guidance. Direction. Was this God's will? The church
destroyed by scandal and abomination? No! God was the one who had willed the camerlegno to act!
Hadn't He?
Then he had seen it. Sitting on the altar. A sign. Divine communication-something ordinary seen in an
extraordinary light. The crucifix. Humble, wooden. Jesus on the cross. In that moment, it had all come
clear . . . the camerlegno was not alone. He would never be alone.
This was His will . . . His meaning.
God had always asked great sacrifice of those he loved most. Why had the camerlegno been so slow to
understand? Was he too fearful? Too humble? It made no difference. God had found a way. The
camerlegno even understood now why Robert Langdon had been saved. It was to bring the truth. To
compel this ending.
This was the sole path to the church's salvation!
The camerlegno felt like he was floating as he descended into the Niche of the Palliums. The surge of
morphine seemed relentless now, but he knew God was guiding him.
In the distance, he could hear the cardinals clamoring in confusion as they poured from the chapel, yelling
commands to the Swiss Guard.
But they would never find him. Not in time.
The camerlegno felt himself drawn . . . faster . . . descending the stairs into the sunken area where the
ninety-nine oil lamps shone brightly. God was returning him to Holy Ground. The camerlegno moved
toward the grate covering the hole that led down to the Necropolis. The Necropolis is where this night
would end. In the sacred darkness below. He lifted an oil lamp, preparing to descend.
But as he moved across the Niche, the camerlegno paused. Something about this felt wrong. How did this
serve God? A solitary and silent end? Jesus had suffered before the eyes of the entire world. Surely this
could not be God's will! The camerlegno listened for the voice of his God, but heard only the blurring
buzz of drugs.
"Carlo." It was his mother. "God has plans for you."
Bewildered, the camerlegno kept moving.
Then, without warning, God arrived.
The camerlegno stopped short, staring. The light of the ninety-nine oil lanterns had thrown the
camerlegno's shadow on the marble wall beside him. Giant and fearful. A hazy form surrounded by
golden light. With flames flickering all around him, the camerlegno looked like an angel ascending to
heaven. He stood a moment, raising his arms to his sides, watching his own image. Then he turned,
looking back up the stairs.
God's meaning was clear.
Three minutes had passed in the chaotic hallways outside the Sistine Chapel, and still nobody could locate
the camerlegno. It was as if the man had been swallowed up by the night. Mortati was about to demand a
full-scale search of Vatican City when a roar of jubilation erupted outside in St. Peter's Square. The
spontaneous celebration of the crowd was tumultuous. The cardinals all exchanged startled looks.
Mortati closed his eyes. "God help us."
For the second time that evening, the College of Cardinals flooded onto St. Peter's Square. Langdon and
Vittoria were swept up in the jostling crowd of cardinals, and they too emerged into the night air. The
media lights and cameras were all pivoted toward the basilica. And there, having just stepped onto the
sacred Papal Balcony located in the exact center of the towering façade, Camerlegno Carlo Ventresca
stood with his arms raised to the heavens. Even far away, he looked like purity incarnate. A figurine.
Dressed in white. Flooded with light.
The energy in the square seemed to grow like a cresting wave, and all at once the Swiss Guard barriers
gave way. The masses streamed toward the basilica in a euphoric torrent of humanity. The onslaught
rushed forward-people crying, singing, media cameras flashing. Pandemonium. As the people flooded in
around the front of the basilica, the chaos intensified, until it seemed nothing could stop it.
And then something did.
High above, the camerlegno made the smallest of gestures. He folded his hands before him. Then he
bowed his head in silent prayer. One by one, then dozens by dozens, then hundreds by hundreds, the
people bowed their heads along with him.
The square fell silent . . . as if a spell had been cast.
In his mind, swirling and distant now, the camerlegno's prayers were a torrent of hopes and sorrows . . .
forgive me, Father . . . Mother . . . full of grace . . . you are the church . . . may you understand this
sacrifice of your only begotten son.
Oh, my Jesus . . . save us from the fires of hell . . . take all souls to heaven, especially, those most in need
of thy mercy . . .
The camerlegno did not open his eyes to see the throngs below him, the television cameras, the whole
world watching. He could feel it in his soul. Even in his anguish, the unity of the moment was
intoxicating. It was as if a connective web had shot out in all directions around the globe. In front of
televisions, at home, and in cars, the world prayed as one. Like synapses of a giant heart all firing in
tandem, the people reached for God, in dozens of languages, in hundreds of countries. The words they
whispered were newborn and yet as familiar to them as their own voices . . . ancient truths . . . imprinted
on the soul.
The consonance felt eternal.
As the silence lifted, the joyous strains of singing began to rise again.
He knew the moment had come.
Most Holy Trinity, I offer Thee the most precious Body, Blood, Soul . . . in reparation for t